THE DARK SIDE

‘I pass, like night, from land to land; I have strange power of speech’ – illustration to The Ancient Mariner by Gustave Doré.

 Like one, that on a lonesome road/Doth walk in fear and dread,/And having once turned round walks on,/And turns no more his head;/Because he knows, a frightful fiend/Doth close behind him tread – Coleridge.

I’ve always been afraid of the dark. As a child I’d creep across the landing with my back to the wall so I could fight off ghosts. In the bathroom I was menaced by mini-devils who jumped out of sight whichever way I turned. I remember lying awake listening to The Quatermass Experiment on TV. I was four at the time and I’d glimpsed the shots of the crashed spaceship before being sent to bed. Imagining the story and hearing weird music rising from below was almost worse than seeing the programme itself.

In bed I slept with the pillow over my head to block out the dark. If criminals or monsters were sneaking up on me, I didn’t want to know. Even today, if I get up in the night, I sometimes imagine I’m being watched or followed. And when I’m alone I sleep with the door open and the landing light on.

According to Freud, fear of the dark results from separation anxiety disorder (SAD). The child is afraid that a much-loved place or person, often a mother, will be taken away. I think in my case separation anxiety began in the maternity hospital just after birth. Between feeds, all the mothers were kept away from their babies. Afterwards, at home, my mother had problems with her milk flow. I have pictures showing how thin we both became.

I remember having other anxiety symptoms as a child. So I dreamed of contracting a life-threatening illness and being rushed into hospital. Closing my eyes, I saw myself lying there with my chastened parents gazing at me in a state of shock. It was my revenge – they’d not believed the signs, now they had to listen. I forgave them, of course, and pictured my homecoming, where I was treated like royalty. So I lay in bed and feasted on cake and fizzy drinks and strawberry ice cream. My imaginary timeout continued with weeks off school, followed by a return on crutches or in a wheelchair with my classmates smiling nicely and being extra-kind because ‘you can’t hit a man when he’s down’.

I also dreamed of being captured by boys on the way home from school. They grabbed me, frogmarched me to the waste ground and tied me to a tree. After a long night I was rescued by the police, questioned and exonerated. My parents were horrified, the bully boys were found out and I was awarded a medal for bravery.

My fears were often ambivalent. For instance, I was afraid of climbing into the water at the swimming baths but loved the sea. On holiday I’d wade out waist-high and splash and jump or float on my tummy in the shallows. I loved the wild freedom of the sea but I never learned to swim. I had a similar love-hate attitude to spiders, shivering as I watched their fat black-and-yellow bodies fixed like jewels at the centre of webs. And as I grew older, my own body became increasingly fascinating and ugly. So I kept myself covered, using the excuse that my skin burned easily, and I chose to walk alone in the countryside, where no one would see me.

mariner_won[1]
‘”The game is done! I’ve won, I’ve won!” Quoth she, and whistles thrice’. Illustration to The Ancient Mariner by Gustave Doré.
The final ‘dark’ experience was an attempt, at Halloween, to confront my fears. I’d been reading Shelley, in Alastor, describing how: ‘I have made my bed/ In charnels and on coffins, where black death/ Keeps record of the trophies won from thee.’ I was excited and wanted to imitate his daring. This might bring me secret knowledge.

So I sneaked out of the house at midnight using my key and crept round to the local graveyard. My chest was tight and my teeth were chattering but I forced myself through the gate then stopped dead, thinking I heard a noise. It was high and weird like the music I’d heard during Quatermass. It sounded half-human, half-animal and dangerously supernatural. I turned and ran, only slowing when I reached a safe distance. When I sneaked into the house I slipped into bed and put my head beneath my pillow.

I didn’t challenge the dark again.

ABOUT LESLIE TATE’S BOOKS:

  1. Heaven’s Rage is a memoir and a collection of lyrical essays. In brief: ‘Heaven’s Rage is an imaginative autobiography. Reporting on feelings people don’t usually own up to, Leslie Tate explores addiction, cross-dressing and the hidden sides of families. Writing lyrically, he brings together stories of bullying, childhood dreams, thwarted creativity and late-life illness, discovering at their core the transformative power of words to rewire the brain and reconnect with life. “A Robin Red breast in a Cage / Puts all Heaven in a Rage” – William Blake. You can read more about/buy Heaven’s Rage here.
  2. Purple is a coming-of-age novel, a portrait of modern love and a family saga. Set in the North of England, it follows the story of shy ingénue Matthew Lavender living through the wildness of the 60s and his grandmother Mary, born into a traditional working-class family. Both are innocents who have to learn more about long-term love and commitment, earning their independence through a series of revealing and closely-observed relationships. Purple is the first part of the Lavender Blues trilogy. You can read more about/buy Purple here.
  3. Blue tells the story of Richard and Vanessa Lavender, who join a 90s feminist collective sharing childcare, political activism and open relationships. Boosted by their ‘wider network’ they take secondary partners, throw parties and observe the dance of relationships amongst their friends. But finding a balance between power and restraint, and handling shared love, proves difficult… Blue is the second part of the Lavender Blues trilogy. You can read more about/buy Blue here.

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