I interviewed Dawn Finch, librarian, activist, novelist and historical researcher about her amazing range of cultural interests. Dawn is the past president of the leading UK professional body for librarians CILIP and writes novels for young adults as well as books about ancient history.
Leslie: Your profile says you have a ‘lifetime fascination with antiquarian books, history and the Gothic’. Can you describe your relationship to books as a child and how that has led to your writing today?
Dawn: When I was small I was an avid reader, in fact it was more like an addiction really. I remember being told off for reading under the table in school, and I can’t remember a time when I didn’t have a number of books on the go. My mother took me and my sister to the library as often as possible, and that meant that we never had a shortage of reading material, even when money was so tight that we had a shortage of light and heat! My mother used to read to us by candlelight when the money in the electricity meter ran out, and this was seen by both of us as a great treat. I think that set me up for atmospheric reading. We always had books as presents, and I think that this made us see them as special and something to value. Libraries were like great palaces of treasure for me, and I could help myself for free, and that is the greatest treasure of all.
I have always worked with books, and my first job was sorting the post and unsolicited manuscripts at an academic publishers in London. This was just around the corner from Charing Cross Road and so most lunchtimes I could be found in a second-hand bookshop looking for other treasures. I can’t resist an old book and have so many that they are literally (no pun intended) piled up around the house. My second job was as a researcher for an educational unit at a cathedral, and that job lead me into libraries and helping to catalogue the maps of the local history archive. From there I went into libraries, and now have worked in them for around thirty years. I think that these are all linked for me – the past on paper so to speak!
Leslie: What are the differences and similarities between your historical writing and your young adult fictions in terms of working methods and outcomes?
Dawn: All writing requires research. My fiction is largely based on elements of historical fact and I aim to weave the past into the fantasy, or the fiction. In that sense there are a number of similarities. Research is key and I spend months researching something before anything goes down on paper. I am not a historian or an archaeologist, but in a way that helps as it does not give me bias to any specific subject or to one area of study. With a background as a researcher and librarian I know that what I need to fully cover a subject is primary sources, and a whole load of experts. I spend a lot of time building a strong list of experts who can help me pick through bias to find a balanced set of information. I always say that I don’t know all the answers, but I’m damn sure I know where to find them!
Leslie: As a writer, who are you influenced by, and why?
Dawn: I am influenced by thousands of different writers. I read hundreds of books each year and the great ones add another pebble to the mountain of past reading experience. The right book at the right time can change, or save, a life. I’m thankful that I’ve read a lot of what I’d consider to be the right book.
Leslie: Besides being a writer you are also an activist, campaigning about libraries and gender/sexuality issues – what set you off and why are they important to you?
Dawn: My parents were young and open-minded, and my father was a union rep and very outspoken about the rights of working people. I think that was my first experience of activism. My mother was very involved in feminism and Ban the Bomb and so I grew up hearing strong opinions about human rights. That has remained with me. At school I was different from the others. I was geeky, booky and plain and very much not one of the popular kids, and was bullied in school. When I met a group of punk rockers as a young teen, it was as if everything fell into place. They were passionate about things like CND, civil liberties, animal rights, freedom of expression and creativity. They were all different – wild and crazy – and all comfortable with who they were – artists, musicians, poets, writers, dreamers. They changed my life and gave me the confidence to not care about what was expected of me, and to focus on dreams and on being a better human being.
Leslie: What is it in your character that unifies and drives your different areas of interest?
Dawn: I think that we are all made up of the things that we have done in the past, a sort of a jigsaw puzzle of the experiences of our lives. Some of those jigsaw pieces might not exactly fit, and some might need to be a bit squashed into place, and some might be a bit broken and horrible, but in the end we have a picture made up of what we have done and how we have lived. I strongly believe that at the end of my days I want to look back on that bigger picture of my life, and I want it to be one that makes me happy, even with the broken bits! I want it to be an overall picture that represents a life that somehow made a positive difference. It’s up to me to make that happen.
Next week, prizewinning poet Harriet Levin Millan writes about what she has learned from listening to the stories of refugees, and how she has turned that experience into literature.
ABOUT LESLIE TATE’S BOOKS:
- Heaven’s Rage is a memoir and a collection of lyrical essays. In brief: ‘Heaven’s Rage is an imaginative autobiography. Reporting on feelings people don’t usually own up to, Leslie Tate explores addiction, cross-dressing and the hidden sides of families. Writing lyrically, he brings together stories of bullying, childhood dreams, thwarted creativity and late-life illness, discovering at their core the transformative power of words to rewire the brain and reconnect with life. “A Robin Red breast in a Cage / Puts all Heaven in a Rage” – William Blake. You can read more about/buy Heaven’s Rage here.
- Purple is a coming-of-age novel, a portrait of modern love and a family saga. Set in the North of England, it follows the story of shy ingénue Matthew Lavender living through the wildness of the 60s and his grandmother Mary, born into a traditional working-class family. Both are innocents who have to learn more about long-term love and commitment, earning their independence through a series of revealing and closely-observed relationships. Purple is the first part of the Lavender Blues trilogy. You can read more about/buy Purple here.
- Blue tells the story of Richard and Vanessa Lavender, who join a 90s feminist collective sharing childcare, political activism and open relationships. Boosted by their ‘wider network’ they take secondary partners, throw parties and observe the dance of relationships amongst their friends. But finding a balance between power and restraint, and handling shared love, proves difficult… Blue is the second part of the Lavender Blues trilogy. You can read more about/buy Blue here.