A piece about how the writer’s imagination works, using examples from my recently published novel, Love’s Register. My thoughts about writing Love’s Register begin with the image of the novel as a house of cards. What I see is an
I interviewed Marian Van Eyk McCain who, on her Elderwoman site, discusses women aging and ‘sage-ing’. Marian describes her women-centred writing as “An advertisement for the simple life – a rediscovery of the sacred in the ordinary… An oasis on
I interviewed historical novelist, archaeologist, teacher and performance poet Kate Innes about her writing and her life experiences in Zimbabwe, Connecticut, and now Shropshire, UK.
I interviewed Art Specialist Teacher Dilys Finlay whose exceptional work with the children of Beecroft Garden Primary School, involving drawing, painting, sculpture, textiles, photography, mosaics
I interviewed author, editor and teacher Lulah Ellender whose first book, Elisabeth’s Lists: A Life Between the Lines was one of The Spectator’s Books of
I interviewed Kelsey Josund about working in Silicon Valley, California and her book Platformed, a futuristic fantasy related to her work experiences. Kelsey says about herself:
I interviewed artist Bridget Bailey about her extraordinary nature-based hats, originally sold by Liberty of London, and her textile flora and fauna, exhibited at Fortnum
Jeremy T. Karn writes from somewhere in Liberia. His work has appeared in the 20.35: Contemporary African Poets Anthology, The Whale Road, Ice Floe Press,