‘I felt the solidity of my adult life compared to the transparency of childhood. It was as if I’d glimpsed myself as another person in another time and place.’
Have you ever taken the nostalgia trip to where you used to live? Maybe to your old house, a school, a street or a childhood play space? Even if you haven’t, you’ve probably thought about it. So what’s it like? And what does it tell us, if anything, about ourselves? I imagined it would bring back memories and plug me in more directly to childhood. I also hoped it would tell me more about myself and start me off writing. But the experience wasn’t quite what I’d expected. Continue reading THE PAST IS ANOTHER COUNTRY
‘This way of working isn’t a reaction, it’s a proactive experiment, an open-ended open-hearted manifestation of a powerful inner impulse’.
I interviewed Trevor Davies about the art and business of growing flowers. Trevor and his wife Bettina run Gillyflower, an ecologically-minded floristry business in Berkhamsted, Hertfordshire. Single-handedly, they cultivate a cut flower garden creating beautiful bouquets for local event as an alternative to imported flowers grown with artificial fertilizers and pesticides. They both have long histories of involvement in the performing arts.
Leslie: In a nutshell, what is Gillyflower of Berkhamsted? What’s unusual about the business? Continue reading THE ART OF GROWING FLOWERS – IT’S A BUSINESS!
‘Any level of guided imaginative activity teaches you just how difficult it is to reach mastery’.
I remember several creative people in my family. My grandpa on my mother’s side was a tenor who, I’ve been told, was invited to train in Italy but had to turn the opportunity down because he was a railway clerk with a family to support. On a trip to London he recorded his voice at HMV, Oxford Street, which had its own studio. Sadly, the 78 rpm disc he produced has gone missing. He conducted the local choir in his NE seaside town in performances of The Messiah, even changing churches to retain creative control. His wife was a skilled accompanist on the piano and also played the organ. They were like fire and water; he was the leader, she gave of herself and supported. Their front room was a busy place with leading members of the choir popping in, and recordings of Beethoven’s symphonies rising from the depths of the ‘Horn Cabinet’ which he and my dad built in the corner. Continue reading THE CREATIVE SPARK – what do people find to do with their talents?
“Creativity can turn awful experiences into art, it teaches us to listen more deeply to ourselves and also to ‘tune into’ others” – Daria.
I first saw Daria Kulesh sing ‘Butterflies’ on Youtube and immediately asked her to appear at Berkhamsted Live, our local mixed-arts show. After hearing her, one of the audience told me that her pure-voiced folk style reminded him of Sandy Denny of Fairport Convention.
Russian-born Daria is a deep soul who mixes musical traditions, writes her own material and appears solo on her album Eternal Child, as well as with her group Kara in Waters so Deep. I interviewed Daria to find out more about what shapes her very personal, deeply-musical creativity. Continue reading DARIA KULESH – WHAT LIES BEHIND THE PERFECT SONG?
I’ve noticed, watching TV talent shows, how many helpers are needed for someone to learn an expressive art or a practical skill. So the celebs in Strictly Come Dancing get hours of teaching and encouragement from their professional partners. And the singers in The Voice have families who book and ferry them to gigs, deal with equipment and cheer them on. My wife, children’s author Sue Hampton, had the same: a wonderfully enthusiastic English teacher who developed her love of literature and a dad who took her to plays and art galleries. These supporters set personal examples as well. So Sue learned the value of redrafting from seeing her dad repeatedly rewriting his poems and the admiring celebs often take on the professional dancers’ impressive work ethic.
Continue reading I get by with a little help from my friends.