A piece about how the writer’s imagination works, using examples from my recently published novel, Love’s Register.
My thoughts about writing Love’s Register begin with the image of the novel as a house of cards. What I see is an interlocking structure where each word has to be added carefully, judging how much weight it can bear. If the words hold together they support each other, if they don’t the whole caboodle comes tumbling down.
But to keep up that balancing act all the way is difficult. It’s a long hard journey and a well-judged finish – whether it’s a denouement or a reveal – can make all the difference. It’s what I look for when I read with a novelist’s eye, comparing the quality of the first and last chapters. Continue reading BOOKS AS SPORT, ARTWORKS, WORDSEARCH, CARD TRICKS?→
I interviewed artist Bridget Bailey about her extraordinary nature-based hats, originally sold by Liberty of London, and her textile flora and fauna, exhibited at Fortnum and Mason, Jagggedart, London, and the Royal Academy. Bridget talks about how she learned millinery, her artistic techniques and methods, and her more recent insect-and-plant inspired creations.
In part two of her interview author, disability activist and feminist Gaele Sobott talks about her campaigning and creative work. Gaele, who has a PhD in literature from Hull University, recently published short stories and poems in Hecate, Verity La, Meanjin, New Contrast,Prometheus Dreaming, Disability Arts Online, Cordite, the anthology Botswana Women Write (University of Kwazulu-Natal Press) and the Speaking Volumes UK anthology Not Quite Right for Us(flipped eye publishing).
I interviewed indie musician Maggie Braley who composes her own songs and leads community singing. Maggie, who is a rock climber from Belper, Derbyshire and a passionate environmentalist, says that learning to sing both folk and classical music, “has been a lifelong soul journey.”
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