A piece about how the writer’s imagination works, using examples from my recently published novel, Love’s Register.
My thoughts about writing Love’s Register begin with the image of the novel as a house of cards. What I see is an interlocking structure where each word has to be added carefully, judging how much weight it can bear. If the words hold together they support each other, if they don’t the whole caboodle comes tumbling down.
But to keep up that balancing act all the way is difficult. It’s a long hard journey and a well-judged finish – whether it’s a denouement or a reveal – can make all the difference. It’s what I look for when I read with a novelist’s eye, comparing the quality of the first and last chapters. Continue reading BOOKS AS SPORT, ARTWORKS, WORDSEARCH, CARD TRICKS?→
I interviewed indie musician Maggie Braley who composes her own songs and leads community singing. Maggie, who is a rock climber from Belper, Derbyshire and a passionate environmentalist, says that learning to sing both folk and classical music, “has been a lifelong soul journey.”
In the second part of my interview with Margalit Fox, whose writing in The New York Times has helped develop a new literary approach to obituaries, I asked about her nonfiction books. They include Margalit‘s story of the race to decipher the mysterious Bronze Age script known as Linear B, The Riddle of the Labyrinth. That book was chosen as one of the hundred best books of the year by The New York Times and received the 2014 William Saroyan Prize for International Writing.
Interview with willow artist Hazel Godfrey, who says about her work: ” I am inspired by nature and love working with natural materials. I grow willow locally in North Herts and this provides for the mainstay of my weaving. I also use other natural materials such as cane, bark, leaves and found items, and have recently added beeswax to my repertoire – an interesting sculptural material to explore.”
I interviewed Ben Spiller Artistic director of 1623 Theatre Company who are: ‘marginalised people working creatively for social justice with you and Shakespeare’. Ben talks about adapting Shakespeare’s works to reflect the experiences of People of Colour, LGBTQIA individuals, people who are disabled as well as people with mental health conditions. Ben’s interview ‘holds up a mirror’ to the remarkable characters Ben works with – and how they challenge negative and restrictive stereotypes.
I interviewed embroiderer, book artist and printmaker Annwyn Dean about how she uses antique textiles, “… to draw the viewer into the piece to consider the history of the designer, maker and wearer of the textile.” Annwyn‘s exceptional Collagraph-printed books also make the connection, “… between the viewer, myself the artist and the original fabric, so encouraging consideration of the original textile and its history.” Continue reading TELLING THE STORY BEHIND ANTIQUE TEXTILES→
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