I interviewed prolific musician and novelist Richard Cabut who has published numerous fanzines and books, written for all the major musical magazines, and played bass guitar with post-punk band Brigandage. Richard’s new novel, Looking for a Kiss, is a post-punk, pop art, acid odyssey. His creative answers cover sex, music, creativity and cultural change. Enjoy!
Interview with electric cellist Jo-anne Cox about her neurodivergent composition Defiant Journey blending music, activism and storytelling – a piece that transcends “the damming label of Borderline Personality Disorder” to “embrace the intensity, reactivity and exquisite sensitivity, that comes with having more powerful emotions than the norm.”
In part two of my in-depth interview with international poet and translator Mark Statman I asked about his working methods, his poetry, and the culture of Mexico compared to New York. Mark’s latest collection, Exile Home has been written in San Pedro Ixtlahuaca and Oaxaca de Juárez after relocating from New York.
Books benefit from attractive starters, layered and varied main courses and piquant endings . But although good ingredients help, it’s the treatment that matters. Usually slow, it takes time to prepare and longer to serve up but once digested, a book stays with us for life. Continue reading LOVE’S REGISTER IS YUM-YUM!→
Part one of an in-depth interview with international poet and translator Mark Statman whose recent volume Exile Home is his 10th published collection. Mark, who has won national arts awards, is Emeritus Professor of Literary Studies at Eugene Lang College of Liberal Arts, The New School, NY, and now lives in San Pedro Ixtlahuaca and Oaxaca de Juárez, Mexico.
On the face of it, everything I write is semi-autobiographical. Even if it’s third-person I can reference some of it to my life. I seem to need some kind of realia to set me going – which can be a remembered phrase or an image from the past. That means, although I try to write outside my experience I find, in the end, only the personal does it.
But this reliance on fact makes me feel at times that my imagination is limited. Of the two types of novelist, adapters and fantasists, I’m with the former. So, in Love’s Register, I’ve drawn on my childhood, my hippy days, my ’80s political activism and my love affair with Sue Hampton, my wife. I’m not the sort of author who reads about something in the newspapers and turns it into story. Continue reading DOES FICTION COME OUT OF THE SUPER-PERSONAL?→
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