In the second part of my interview with Margalit Fox, whose writing in The New York Times has helped develop a new literary approach to obituaries, I asked about her nonfiction books. They include Margalit‘s story of the race to decipher the mysterious Bronze Age script known as Linear B, The Riddle of the Labyrinth. That book was chosen as one of the hundred best books of the year by The New York Times and received the 2014 William Saroyan Prize for International Writing.
Interview with willow artist Hazel Godfrey, who says about her work: ” I am inspired by nature and love working with natural materials. I grow willow locally in North Herts and this provides for the mainstay of my weaving. I also use other natural materials such as cane, bark, leaves and found items, and have recently added beeswax to my repertoire – an interesting sculptural material to explore.”
I interviewed Ben Spiller Artistic director of 1623 Theatre Company who are: ‘marginalised people working creatively for social justice with you and Shakespeare’. Ben talks about adapting Shakespeare’s works to reflect the experiences of People of Colour, LGBTQIA individuals, people who are disabled as well as people with mental health conditions. Ben’s interview ‘holds up a mirror’ to the remarkable characters Ben works with – and how they challenge negative and restrictive stereotypes.
I interviewed embroiderer, book artist and printmaker Annwyn Dean about how she uses antique textiles, “… to draw the viewer into the piece to consider the history of the designer, maker and wearer of the textile.” Annwyn‘s exceptional Collagraph-printed books also make the connection, “… between the viewer, myself the artist and the original fabric, so encouraging consideration of the original textile and its history.” Continue reading TELLING THE STORY BEHIND ANTIQUE TEXTILES→
I interviewed mixed-media artist Debbie Lyddon who uses all her senses to create artworks informed by memory, close observation and the rhythms of nature. Other themes in Debbie‘s extraordinary work are remoteness, impermanence and the effects of sound, stillness and silence. As well as cloth, Debbie’s materials include salt, bitumen, wax and varnish – all drawn from her coastal surroundings at Wells-next-the-Sea, Norfolk. Continue reading A SENSE OF PLACE IN ART→
Performance poet Emma Purshouse, winner of poetry slams and the Rubery Book Award, is also a novelist and voice for the working class. Emma talked to me about her stage shows, her performances for children and her community projects. Emma says about herself: “I love the Black Country, it is part of me and I’m part of it, and therefore it’s always at the heart of the things I write.”
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