Four young people were lying in the road, ‘locked on’ as partners. One pair had an arm each buried in a connecting steel tube, the other pair were linked by a large grey suitcase. Their ‘locked on’ arms, disappearing into solid blocks, looked like they’d been amputated.
It was eight thirty in the morning outside the ExCel Centre, E. London. The ‘locked on’ couples were blocking the dual carriageway to the London Arms Fair. A queue of lorries and vans delivering weapons and display materials was backed up beyond the approach bridge. It was windy and overcast but the protesters were jubilant and the police had given up threatening to arrest anyone who stood in the road. Continue reading At THE LONDON ARMS FAIR, ARMS TO RENEWABLES DAY→
My trip to Shepherd’s Bush Library might have been taken from the pages of a magic realist novel. It was urban and dream-like, featuring a stranger arriving in rush hour at a shopping centre that could have been a film set. Of course there was a back story: an author visit arranged by email, and advertised as a talk about ‘The Beginning, Growth and Development of a Novel’. But the reason given – to study literature drawing on my own experience – was unlikely to appeal to my potential audience. After all, who would want to listen to an unknown 68 year-old author with a small-press background? And why on earth would that author continue, year on year, turning up at hard-to-find spots and addressing tiny audiences, most of them failed or wannabe authors, in order to sell a handful of books? Continue reading WHAT LOVE REQUIRES OF US→
In the second part of my interview with Jo Clutton she talks very honestly and openly about her family and depression, her medication crisis and how that led to her recovery.
Leslie: Can you describe, please, the beginnings of your depression, and how it has changed and developed over thirty years.
Jo: As a child, I was very moody, and my mother would say: “What ARE we going to do with you?” I can remember crying when away on holiday, and claiming I was homesick. I didn’t know why I cried, and my mother lost patience with me. There is a history of depression in the family. My dad could remember his mum, Kitty, lying on the bed when he came home from school, and he said that his granny used to look after him and his sister, my aunt. Of course, this was during the 1930s, when virtually nothing was known about mental health issues and sufferers were dismissed as over-sensitive, as I was by my family. I was teased a lot, and told off for over-reacting! A double whammy. My moods were never talked about or discussed. Continue reading JO CLUTTON – RECOVERING FROM DEPRESSION, LOVING LIFE (Part Two)→
I asked artist and writer Jo Clutton about how she has rebuilt her life after thirty years of depression. Jo spoke with absolute honesty about her negative family, her loving husband and her numerous and eccentric interests. Her interview is a personal testimony to how love, creativity and ‘truth talk’ can restore mental health. In Part One Jo talks about her creative interests, in Part Two she describes her recovery from depression.
Leslie: What’s the story of your many and unusual interests, please?
I interviewed artist Sharon Skipper about her experience as a highly creative individual facing mental health issues.
Leslie: When and how did your interest in creating art begin? How did it grow and develop?
Sharon: My dad was always the one behind my art since I was very young, I loved art from a very early age but stopped at the age of 16. I remember winning a competition in a magazine around 10 years old for clothes design and my dad showing it to everyone where he worked. He was very proud of me. I started a couple of years later after my dad’s death to draw again which was followed by paintings then I progressed later on to photography, collage and use of text from newspapers about life, my experiences and what others may think or feel, everything really… Continue reading HEARING VOICES AND MAKING ORIGINAL ART→
I interviewed journalist and author Anna Ryland, whose novel, A Second Chance, describes three Polish-born characters arriving in Britain. Anna says: “I came to Britain for a short working holiday in the early 1980s. Once martial law was introduced in Poland and its borders were closed, I was unable to go back. So I had to decide what to do next.”