
THE ART OF SLOW WRITING
Leslie Tate I’m a slow author. It took three years to write my latest book Ways To Be Equally Human. That’s an average of 40 words per day. So, if you were reading my book you’d have reached my daily

LISA DART – SURVIVAL POETRY AND THE VOICES OF EXPERIENCE
I interviewed Lisa Dart, finalist in the Grolier, Aesthetica and Troubadour Poetry Prizes and author of The Linguistics of Light (poems, Salt, 2008), Fathom (prose memoir, Free Association Press, 2019), and This Thing of Darkness, an experimental, illustrated book (IPBooks,

CELEBRATING THE ELECTRIC CELLO & NEURODIVERGENCE
Interview with electric cellist Jo-anne Cox about her neurodivergent composition Defiant Journey blending music, activism and storytelling – a piece that transcends “the damming label

MARK STATMAN: EXILE HOME, NEW YORK TO MEXICO, PART 2
In part two of my in-depth interview with international poet and translator Mark Statman I asked about his working methods, his poetry, and the culture

LOVE’S REGISTER IS YUM-YUM!
Books benefit from attractive starters, layered and varied main courses and piquant endings . But although good ingredients help, it’s the treatment that matters. Usually

MARK STATMAN: EXILE HOME, NEW YORK TO MEXICO, Part 1
Part one of an in-depth interview with international poet and translator Mark Statman whose recent volume Exile Home is his 10th published collection. Mark, who

DOES FICTION COME OUT OF THE SUPER-PERSONAL?
Leslie Tate asks Where’s the ‘Me’ in my Novels? On the face of it, everything I write is semi-autobiographical. Even if it’s third-person I can

PETER SALMON: “THE GLORY & HORROR OF MAKING BOOKS”
I interviewed Peter Salmon, whose first novel, The Coffee Story, was a New Statesman Book of the Year. Peter talked to me about his recent biography