In the Rhyme of the Ancient Mariner, the mariner touches the shoulder of the wedding guest, beginning his story with “There was a ship.” When the wedding guest objects, the mariner hypnotises his unwilling subject with a fixed and glittering stare.
Using a similar but much lighter technique, the great master of hypnotherapy, Milton H Erickson, developed the ‘handshake induction’ designed to produce a gentle trance. Erickson would distract his client at the start of a consultation by gradually withdrawing his hand and touching the wrist so gently that his subject couldn’t quite tell when the contact ended.
In both cases the goal was for the subject to pay attention to hints and suggestions normally passed over, and focus uncritically on a single train of thought. In the process, the subject would discover hidden truths about the self or personal experience.
I kept my cross-dressing secret, and didn’t tell anyone. I’d read about cat burglars who came and went in silence and removed a photo or a ring or page from a diary, and like them I tiptoed into bedrooms and sneaked things out of drawers in a house that wasn’t mine. I was on high alert, rehearsing my lines. If anyone found me, I’d tell them my intentions were good, that I’d fought back my urges and kept myself intact for as long as I could. In any case, I’d say, I’d been curious and not really meant it, this was my first time, a once-only trial.
My head was full of stories where I held out on my own, playing for time. I’d cast myself as a loner, a survivor, moving through darkness while outwardly I was the shy boy who smiled and waved from the window. Continue reading My Outing, Part 3 – INCOGNITO→
During the 1983 Bermondsey by-election, the British press, tiring of their daily homophobic attacks on Peter Tatchell, picked up an article I wrote in the sexual politics section of a small but influential left-wing Labour journal. The article was about how I believed that cross-dressing challenged conventional ideas of masculinity. It included a picture of me in a dress.
The journalists seized on my story, passing it around and featuring me on the inside page of nearly every single newspaper, printing my name, the street I lived in and where I worked. The ‘family friendly’ Daily Mail reporter went further, ringing up my house, pretending to be a social worker, and asking my first wife how she felt about the damage I was supposedly doing to our children. Continue reading My Outing, Part 1 – Why?→
I invited David Guest to write about the media and creativity. As a lifetime journalist and editor, David knows the field well having ‘worked for every publishing company in London once’. His piece is satirical, literary and full of critical insights. In 2002 David: ‘bought into a small, local publishing company, and found to my surprise that it was an ideal introduction to the online world and social media’. He is currently editing his first novel.
Be regular and orderly in your life, so that you may be violent and original in your work – Flaubert
Leslie: What were the key stages in developing and maturing your voice?
Kelly: When I was two years old, my mom thought she’d left the radio on and then discovered I was singing. Music was my natural form of expression, which is good because I can’t draw a decent stick-person. I think the best way to develop your style is to just get out there and do it. You learn the do’s and don’ts along the way. Continue reading GETTING YOUR YA-YAS OUT WITH KELLY MONEYMAKER→
I interviewed author, editor and teacher Melanie Whipman about short stories and writing. Melanie lectures at Chichester University, judges fiction competitions and is commissioning editor for The Story Player. Her short stories, which have been broadcast on Radio 4 and published in numerous magazines, are now appearing as a collection called Llama Sutra. She is currently editing her novel, written during her MA in Creative Writing, that was awarded the Kate Betts Prize.